Category Archives: Blogathons and Memes

Inspired by other bloggers, these posts couldn’t have been written without them

Movie Confessions Blogathon

Nostra at My Filmviews created yet another inspiring way to use our thinking caps and share our love for the movies to the general public. Many of my favorite bloggers have partaken in this experiment, some with entertaining and candid results. I hope my post will be as enlightening to others as it was for me.

Which classic movie don’t you like/can’t enjoy and why?
I can’t get into Apocalypse Now at all. I think Psycho is way overrated. And Casablanca, Citizen Kane and Gone with the Wind bored me to tears. What the hell is wrong with me?

Actually, in all fairness, let me retract Citizen Kane. I actually admired the film. Kane is a technological achievement, and Welles deserves recognition for what he has contributed to the film industry. But I just couldn’t enjoy it. Coppola and Hitchcock, directors I greatly admire, have made far better films, in my ever-so-humble opinion.

Which ten classic movies haven’t you seen yet?
Embarrasing. But rest assured. They are all in the Netflix queue and will be seen some day. Soon. Before I die.

The Godfather
Ben-Hur
Dr. Strangelove: Or How I Stopped Worrying and Love the Bomb
The Grapes of Wrath
Paths of Glory
Strangers on a Train
Scarface
Double Indemnity
On the Waterfront
To Kill a Mockingbird

Have you sneaked into another movie at the cinema?
I used to do it many times in high school, but never since then. As long as I paid for one film and got a snack, it was not wrong to stick around for another film. This practice does not weigh heavily on my conscience. One day, however, my buddy Pete and I saw four different films back to back in the theater, paying only for one. Ok, I feel a little guilty about that, but I’ll never forget that day. The euphoria of spending an entire hot summer day in an air-conditioned movie theater was everlasting. Phenomenon, Kingpin, Jane Austen’s Mafia, and The Frighteners. Sure, some of these titles don’t quite hold up today, but we enjoyed every single one of them at the time.

Which actor/actress do you think is overrated?
I’ve noticed many people picked Will Ferrell, and I hate sounding like a broken record but I have to agree. Ferrell just isn’t that funny. I also steer away from folks like Vince Vaughn, Kate Hudson, Paul Dano, Jason Schwartzman, Keira Knightley and Zach Galifianakis. They just rub me the wrong way almost every time I see them.

From which big director have you never seen any movie and why?
I’m guilty of not seeing a single film from Fellini, Kurasawa and Bergman. I plan to have this rectified soon, but I just need the motivation. I’m so stuck on catching up with newer releases that I often push aside stuff I really should be paying attention to. How do I get out of this rut?

Which movie do you love that is generally hated?
Oh, goodness. So many. Anaconda. Disorganized Crime. Dutch. The VillageStuck on YouSabrina (the Harrison Ford version). All bombs and all keepers in my book. But the one film I really love that always comes back to haunt me and so many people hate: Last Action Hero. I found it so much fun and I can’t believe so many other fans of movies dissed this one. Everything about it just works for me. “No sequel for you!”

Have you ever been “one of those annoying people” at the cinema?
Never! I sit down, shut up and enjoy the film. And so should you! I get pissed when people continue to talk during the previews. Unacceptable!

Did you ever watch a movie, which you knew in advance would be bad, just because a specific actor/actress was in it? Which one and why?
I was (and still am, goddamnit) a big Harrison Ford fan. I see everything he does. So when I saw Random Hearts in the theaters back in 1999, I was hoping it wasn’t as bad as the critics said it was. I rallied for him, I knew there was another hit in it for him. Boy, was I wrong. Random Hearts was a horrible, horrible film and his career was going downhill and fast. There was nothing I could have done to stop it. 

I still cling onto the hope that the Harrison Ford I once knew and loved in the 70′s through the 90′s will be back.

I’m still waiting.

Did you ever not watch movies because of subtitles?
Because of my hearing impairment, I have the captions on all of the time. Subtitles are nothing but a variation of captions. So, the short answer: no.

Are there any movies in your collection that you’ve had for more than five years and never watched?
I don’t buy films I don’t like or haven’t seen. But I am guilty of purchasing films that I love and never watching them. That’s why I stopped buying movies. My collection of over 250 movies hasn’t really grown much in the past several years. Y tu Mama Tambien is still sealed, dammit. And I love that film!

What are the worst movies in your collection and why do you own them?
My stagnant movie collection is filled with nothing but goodies! But that’s all subjective, isn’t it?

Do you have any confessions about your movie watching setup at home?
I used to have 5.1 surround sound until my DVD player (which acted as a receiver) went kaput. I got a good deal on a new one, which does not have surround sound capabilities and rendered me unable to hook it up again. When money is no longer an issue, I’ll get it set up right again. Meanwhile, my 50″ flat screen plasma is over 6 years old and works like a charm. Google TV/Blu-Ray player and Apple TV are new additions to the set up, and I’m loving them. Roku is in the bedroom, attached to my 32″ flat screen LCD.

Any other confessions you want to make?
I still love Harrison Ford. I’m sorry. He’s like family, and you never, ever leave your family. He can do all of the Random Hearts and Firewalls and Cowboys & Aliens he wants to, and I’m still going to love him.

I really, really, really want Dumb and Dumber 2 to get off the ground. ONLY if Jeff Daniels and Jim Carrey are attached, of course. It goes against my conflicted feelings of remakes and sequels, but I don’t care. This needs to happen.

Oh, and I’d totally sleep with George Clooney.

And Charlize Theron.

Simultaneously.

Did I just go too far?

10 Comments

Filed under Blogathons and Memes

The Great Movies: Finding Nemo

This post was written as part of the Finding Pixar retrospective hosted by Amir from Amiresque. You can find the rest of the series here.

Finding Nemo (2003) is not Pixar’s best film. No, that honor goes to Toy Story. Or is it Toy Story 2? Or wait, maybe it goes to Monsters, Inc.

Shit. I don’t know.

Ratatouille has an insanely high Metacritic score (at 96/100, it’s Pixar’s highest score to date), but it hardly gets any replay action in my house. (I still think its pretty darn special, though). Many folks think that the Cars films (especially its inferior sequel) are the weakest, but my four-year-old son thinks the original is the most ”awesomest” film of all time. His whole world revolves around Lightning McQueen and Doc Hudson. And there are people out there who think that the Toy Story trilogy is cinema’s best triple feature slate, outranking the original Star Wars or Godfather films. And ya know what? I ain’t gonna argue with them.

So does Pixar actually have a Best Film? Ask a crowd of people on the street and you will get a lot of different answers. And that, my friends, is the beauty of Pixar. They have produced a ridiculous amount of great films and you will find someone out there who has a deep affection for at least one of their 13 titles. As a collective bunch, the films of Pixar exemplify the magic and creativity of the Disney brand.

But if I were to harbor a guess and pick a film from Pixar that best defines the animation giant, it would have to be Finding Nemo. I think this is the film that represents Pixar at its best (and worst).

Let’s start with the voice cast. One thing Pixar does best is hire some great voice talent. Hanks and Allen as Buzz and Woody. Newman as Doc Hudson. Ratzenberger as, well, a lot of characters. But in Finding Nemo, the character of Dory is completely and perfectly personified by Ellen DeGeneres. Now, DeGeneres is no Hanks or Newman, but as a forgetful blue-finned tang named Dory, she owns this film. Finding Nemo is filled with dramatic moments and tension-filled adventures, so the gentle and flighty humor provided by DeGeneres gives the film tremendous balance. Albert Brooks, whose too-infrequent presence is always welcome in Hollywood, hits just the right notes as Nemo’s frantic, overprotective dad. You also have Geoffrey Rush, Willem Dafoe and Eric Bana making memorable voice appearances as well.

The animation in Finding Nemo has arguably some of the best artwork in Pixar’s remarkable canon. The Incredibles may have the best action sequences, while the Toy Story films have such an abundance of heart, but Finding Nemo has visuals that pop frame after frame. Watching this film on our 50″ plasma TV is incredibly eye-pleasing. It’s impossible to look away, especially during the jellyfish scene or when the gang gets caught up on the East Australian Current. The attention to detail is staggering, which is no surprise to any Pixar fan. There’s a dreamlike quality to the underwater visuals, an imaginative recapturing of life under the sea.

One problem I had with the film is that there are moments that are too dark for smaller children. Pixar usually does a good job balancing adult themes with children’s sentiments, but Finding Nemo is a little bit off-kilter.  I know not all Pixar films are geared towards the same audience (Ratatouille and WALL-E, for instance, probably resonate more to adults than children), but Finding Nemo is clearly intended for audiences of all ages. Killing the mother (off-screen) in the film’s opening sequence is quite jarring, as well as the introduction of Bruce, the great white shark who attempts to stave off his addiction of eating smaller fish. It’s just a shame that I have to skip past the edgier scenes for my little ones. 

Another criticism that’s common among Pixar detractors is that their stories are cliche-ridden, and that Finding Nemo is Pixar at its most cloyingly predictable. While I do agree that there are some elements of the story that lack originality and surprises, I have to say that it’s perfectly necessary to have some sort of familiar structure when assembling a family picture. Sometimes they get it just right by being wholly original (see WALL-E), but when they fall back to the conventions of screenwriting 101, the picture tends to suffer. (Cars seems to be Pixar’s worst offender of this, though I believe it is this banality of the characters and story that makes Cars so much easier to swallow for smaller kids). Finding Nemo overcomes this obstacle, for the most part, by including character dynamics that feel fresh and even innovative. The heart of the film is not necessarily that of Nemo and his father, Marlin, but actually of Dory and Marlin. Those two characters bring out the best and worst of each other and, during their enlightening exchanges, the writers give them great depth and material that most feature films would envy.

At the time of its release, Finding Nemo was Pixar’s fifth film. The world had already seen Toy Story 1 and 2, A Bug’s Life and Monsters, Inc. Movie-goers and critics had become aware of how talented these animators were. What they didn’t know back in 2003 was that Pixar wasn’t even close to peaking.

But then again, it’s 2012, and we still don’t know if they’ve peaked. They are quite the anomaly, aren’t they?

6 Comments

Filed under Blogathons and Memes, The Great Movies

The Ten: Best Actors of All Time Relay

I can’t believe Nostra began this series way back in March. This relay has taken all sorts of crazy and unpredictable turns! I’ve seen some of my favorite on-screen performers come and go from this ever-evolving list. I’m the 20th recipient of this relay and I don’t think my choice of actor will rock the boat too much.

To sum up the point of all this, in Nostra’s words:

So what’s the idea behind the relay? I’ve created a list of what I think are the best actors. At the end I, just like in a real relay race, hand over the baton to another blogger who will write his own post. The blogger will have to remove one actor (that is an obligation) and add his own choice and describe why he/she did this. At the end the blogger chooses another blogger to do the same. The idea is to make this a long race, so that each blogger gets a chance to remove and add an actor. We will end up with a list (not ranked in order) which represents a common agreement of the best actors.

The Previous Entries:

The Actors

Bogart

Brando

Day-Lewis

De Niro

Fiennes

Newman

Nicholson

Burton

Sellers

Can I start off by saying that I love this list as it stands right now? I was bummed to see some other actors go, but seeing the likes of Nicholson, Newman, Fiennes, Brando, etc., just makes me proud to be a film geek among film geeks. That said, removing one of the actors on the previous list was an easy choice for me. I didn’t hesitate. I have nothing negative to say about the guy; it’s just that my personal viewing experience doesn’t warrant his inclusion on my own top ten list of actors.

Chaplin

Charlie Chaplin is a legend. An icon. One of the most influential giants of the movie industry. I’ve only seen one of his films – Modern Times - and that was in film school over 15 years ago. Silent films are simply not on my radar, but I do recognize the importance – and sheer brilliance – of the format. Chaplin was a pioneer in front of the camera and behind. His inclusion on this list is justified.

However, I needed to make room for another giant. Literally and figuratively.

Bridges 

Jeff Bridges, standing tall at 6’1″, has been an acting powerhouse since 1971 and is still going strong.  In fact, I had it narrowed down to two actors. Bridges and Dustin Hoffman. I love Hoffman and have been waiting for his inclusion on here since its inception. But what made me pick Bridges over Hoffman? Consistency. Jeff Bridges has been consistently good throughout his entire 40-year-plus career. Looking at his body of work made it very clear to me that he belongs on this list. 

His versatility was apparent right from the get go. The Last Picture Show (1971), Thunderbolt and Lightfoot (1974), Stay Hungry (1976), and Tron (1982) showed us that Bridges was not going to be pigeonholed inside of a particular genre.  The 80′s, in fact, were really good to him. He released Starman (1984), Against All Odds (1984) and Jagged Edge (1985) within one year from each other, certifying him as a box office star. He sizzled on screen with Jane Fonda (The Morning After [1986]), Kim Basinger (Nadine [1987]), and Farrah Fawcett (See You in the Morning [1989]). He went from a matinee idol to an esteemed actor with some spectacular, high-caliber performances in Tucker: The Man and His Dream (1988), The Fabulous Baker Boys (1989), The Fisher King (1991), American Heart (1992) and Fearless (1993). He was no longer a movie star. He was now an actor.

In the years that followed, Bridges mixed it up. The Big Lebowski (1998), The Contender (2000) and The Door in the Floor (2004) are my personal favorite performances from Jeff Bridges. The amount of range and depth he has shown in his body of work never fails to amaze me, and those three roles showed me how good he can be when he is firing on all cylinders. Bridges, of course, has made a few mediocre films, but he always remains an interesting figure on screen. Blown Away (1994), White Squall (1996), The Mirror Has Two Faces (1996), and Arlington Road (1999) are not great films, but Bridges has made them highly watchable. I can think of moments in each of those films that worked because of Bridges and that wonderfully expressive face of his.

The last decade had its share of ups and downs. He led the charge with the well-received Seabiscuit (2003) and created a memorable villain as Obadiah Stane in Iron Man (2008). I admired his performances some very small films, like The Amateurs (2005), Stick It (2006) and The Open Road (2009). The return to his Kevin Flynn/Clu characters in Tron: Legacy (2010) was remarkably good. The film was flawed, but go back and soak in his dual, layered performances. He was more dazzling than the special effects. Then there’s the one-two punch that finally led him to his long-deserved Oscar. He’s phenomenal in Crazy Heart (2009), a movie I didn’t love. But his performance was typical, masterful Bridges. And wasn’t he just about perfect in True Grit (2010)?

Jeff Bridges is irreplacable. I hope he stays on this list for a long, long time. I know if this were my personal Top Ten, he’d never come off!

But since it’s not my personal list, I gotta pass it along. The buck now stops with Diana at Aziza’s Picks. Go crazy, Diana!

24 Comments

Filed under Blogathons and Memes

7 X 7 Link Award

Last week, a fine young writer from Tijuana decided to pass along the 7X7 Link Award to seven bloggers who he deemed to be interesting and wonderful. He inexplicably chose me as one of them. I’m flattered, humbled, and honored. Fernando is a terrific writer and I think his blog is one of the best out there; do yourselves a favor and become lifelong followers. I think you’ll agree with me in knowing that this young fella has pretty awesome taste in movies.

So I thank you, Fernando, for selecting me as one of the recipients and it would be my pleasure to pass along the torch to folks whose blogs are well-deserving in accolades and, more importantly, are worthy of your attention.

But first, we have some business to take care of.

Rule #1: Reveal something about me that no one else knows

Well, everyone I’m close to knows about my childhood idol. But you guys? My fellow film bloggers and the world at large? Ya’all probably didn’t know that I had a major, major (platonic!) adoration for all things Harrison Ford when I was growing up in the 80′s and 90′s. I had posters of him on my wall. I devoted my papers on him in middle school and high school (I even did an essay on Indy in college!). I saw all of his films on opening night. I saved magazine articles on anything pertaining to him. I absolutely, truly loved this man, as much as a straight fella can possibly love another dude.

I still dig the guy, I do. I just wish he would make better movies. And lose the earring.

Rule #2: Link to one of my posts that I personally think best fits the following categories

-Most Beautiful
I don’t consider any of my posts “beautiful” but if I were to harbor a guess, I’d say my thoughts on City of Angels and Joe Vs The Volcano are rather sweet because in both pieces I discuss love, life and the beauty of an awakening soul.

And both movies happen to star Meg Ryan. Go figure.

-Most Helpful
If any of my hidden treasures or spotlights help my readers see something they normally would not have seen, then I consider that helpful.

-Most Popular
In terms of hits, the most popular post on Flickers is by far the 5 Best piece on Gary Oldman. That post apparently comes up on Google’s search engine whenever you type in Oldman or his movies because since I wrote it one year ago, it got over 18,000 hits! But as far as comments are concerned, the most amount a single post has received is a mere 15 (for the recent essay My Movie Year: 1994). It may be a low number for many of you, but that’s ok. I like to keep things low key around here.

-Most Controversial
Flickers is not one for controversy. But I did think I would stir up a little chatter about my post on the 5 best Stephen King movie adaptations because of my high opinion on such poorly received films like Needful Things or the TV version of The Shining. But alas, not a single comment or objection to be found.

-Most Surprisingly Successful
I’m always surprised when any of my posts are recognized by my fellow peers. Surprised and delighted, of course! Specifically, the posts with the most correspondence are my Quick Takes. I’m always satisfied when there’s correspondence on my blog.

-Most Underrated
I wish my Mission: Impossible and Buffy the Vampire Slayer gush-fests had some kind of feedback. I loved the original Mission: Impossible, a crackling mid-90s blockbuster that deserved far more attention than it ever got. Ditto for Buffy, one of the greatest TV shows of all time, which was saddled with low ratings and dismissed as that dorky “vampire” show with the bimbo name. Come on, now! I know there are die hard fans out there like me! I thought my pieces outlined the awesomeness of these great, overlooked pieces of entertainment. Right? Hello? Bueller?

-Most Prideful
The Gene Wilder piece, hands down. I loved this one. I had such a blast writing it; it’s such a personal one for me. Those who don’t know me too well will find some surprising revelations. Give it a gander, will ya?

Rule #3: Pass this award on to seven other bloggers

In other words, these are seven bloggers I can’t live without. To the best of my knowledge, these fine folks have not received this award. If I’m wrong, well, then they are doubly blessed! Here they are, arranged alphabetically.

Amiresque
Amir’s blog was actually among the first I have come across as a new film blogger. It struck a chord with me because he was doing what I had wanted to do – write about movies. He doesn’t write about every film he sees but chooses very specific topics and expands on them with intelligence and wit. I’ve been a loyal follower ever since. My only wish is that he would write more! Recommended reading: Take a look at his extensive series of highlights of the best of 2011.

Franz Patrick’s Film Archive
I “met” Franz on twitter before I had even seen his blog. I didn’t have to read his posts to realize that he is a droll, funny, and pretty damn smart young man. (He’s a medical scientist, for crying out loud!) He writes great, brief reviews on his crisp and appealing blog. His tastes are wide-ranging, as you can see from his eclectic mix of reviews to the quotations on his blog’s sidebar. In one swift move, he’ll recite lines from The Dreamers to Blood Simple to Mean Girls! Recommended reading: his take on Another Year just nails what Mike Leigh was going for. It’s a review I couldn’t have written better myself.

The Kid in the Front Row
Who is this guy? Shrouded in mystery and yet incredibly revealing, this “kid” opens himself up with phenomenal posts on (among other things) writing, film criticism, and the magic of Hollywood. On his exhaustive blog, he does reviews, interviews, short stories, and just random bursts of creative writing. He clearly has a deep passion for film and the written word. What amazes me more is that he spits out these posts at an alarming frequency. Does he ever sleep?! Recommended reading: all of it, if you have time! But more recently, I really dug his TKITFR Acting Class where he lists 10 crucial things an up-and-coming actor must do to prepare for a career in Hollywood.

Red Dirt Lattes
Not quite an entertainment blog, but there is a Hollywood connection! It’s written by Sabrina Lloyd, who played Natalie on Aaron Sorkin’s much-loved, much-missed series, Sports Night. When the show ended, she packed her bags, uprooted her toddler and left Hollywood with her husband to explore the world. This blog is not just your typical travelogue. It’s a gorgeous, poetic look of a world most of us are very unfamiliar with. Lloyd is a gifted photographer and a beautiful lyricist. Recommended reading: her recent trip to Italy is quite the eye-opener.

A Swede Talks Movies
Emil loves film. Well, don’t we all? But what makes him stand out from the pack is that his love for the medium is new and fresh. Until fairly recently, his interests were geared towards comics, wrestling, books etc. He just never cared about movies. But suddenly, as if someone lit a fuse within him, he found a passion. This blog is an enlightening read from a dude who is discovering new films every single day. Also, I find it amazing that he and I share remarkably similar tastes, despite having radically different backgrounds and living half a world apart. Recommended reading: his post about actors you cannot stand is a very entertaining read.

Television Lady
When I first viewed Anna’s profile picture, I knew she was someone special. No, it wasn’t a picture of herself. It was a striking photo of Elizabeth Mitchell from the dearly departed show, Lost. Oh, Juliet. How I’ve missed you so. Her love for Lost and other great television is well-documented on her terrific blog. She also digs Airplane, Pulp Fiction and The Shawshank Redemption. Now that’s good taste all around! Bonus tidbit: she writes for the Examiner! Recommended reading: if you want to dig back through her archive, you’ll find some choice pieces on the awesomeness that is Lost.

What is Ann Watching?
I only recently “met” Ann and was pleasantly surprised by her taste in films and television. Like Anna and myself, she is an equal opportunity lover of great films and addictive television. Her tasteful blog features thoughts ranging from TV’s The Killing and Justified to the recent release of Chronicle to classic films like Night and the City. She’s fairly new to the blogging world like myself but I’ve got the feeling she’s just getting started. Recommended reading: her hilarious piece on scary movies for mothers and daughters is a must read.

14 Comments

Filed under Blogathons and Memes

My Movie Year: 1994

This post was written as part of Fandango Groover’s blogathon, My Movie Year, which celebrates our favorite year in movies.

1994 was a very big year for me. Personally speaking, it was the year I met a girl who would later become my wife and mother of my children. I was 15 and high school graduation was two years away. It was a time of discovery. Of myself, my life, my loves, my passions. I already knew I had a fondness for movies, but after the slate of films that came out in 1994, my escalating attachment to the medium was unstoppable.

Among the highlights:

It was the year I fell in love with Paul Newman.

It was the year Sandra Bullock, Kate Winslet and Natalie Portman took the world by storm.

It was the year Quentin Tarantino left his indelible mark and took the entire motion picture industry by surprise.

It was the year that Tom Hanks became our generation’s Cary Grant.

It was a year that saw Jim Carrey, Brad Pitt, Harrison Ford, Ben Kingsley and Morgan Freeman at the top of their game.

Independent filmmaking was thriving in Hollywood and they were a considerable force to be reckoned with. They started competing with the big blockbusters and garnered esteemed reputation. Roman Polanski and John Sayles made two very small, very well-regarded films and continued their steady rise as well-respected movie makers. I continue to admire their efforts today.

Jeff Daniels and Meg Ryan played against type and earned their best reviews to date. He, a serious and subtle performer, showed us that he has the chops to pull off obscene physical comedy. She, a box office heavyweight with a flair for fluffy rom-coms, showed considerable talent in soapy melodrama. They took risks this year and earned a newfound respect from me. I’ve been fans of their work ever since.

It was the year we said goodbye to Jessica Tandy with her last role.

It was the year we said hello, again, to John Travolta.

It was a year where we never looked at a box of chocolates, a bus coasting on the freeway, laxatives and a boat on the beach the same way again.

It was a year that was impossible to forget. In my Best of the Year post of 1994, I had no less than 15 films that I gave my highest rating. 15 movies that I’m happy to call my favorites.

For the purpose of this blogathon, here are five of those films that truly define how remarkable this year is. These films transcended their respectful genres and became timeless classics.

Forrest Gump

In my year-end round up, I wrote, “On paper, the film sounds impossible to pull off, but everything works perfectly. The flashback structure, the blending of reality and fiction, the litany of memorable one-liners, the seamless and ground-breaking effects, the gorgeous set design …all of these elements collaborate together so well, one has to assume it’s a miracle that this film even worked.” One of my favorite films of all-time, Forrest Gump is what I like to call a Top 5 contender. I can’t think of a single negative thing to say about it.

Pulp Fiction
I wrote, “It is one of the most influential films of all time, an exercise of pure kinetic filmmaking, infused with crackling dialogue, a fractured, mind-blowing narrative structure, and career-defining performances by long-established actors.” Pulp Fiction got me excited about filmmaking. Movies became more than just a place to escape to. Movies became art, a craft I eventually learned to study and appreciate.

The Shawshank Redemption
I wrote, “There is a reason why this film remains at the top of IMDb’s Best 250 films of all time. It’s a universally embraced drama about hope and freedom.” In an age of cynicism and despair, The Shawshank Redemption is a ray of sunshine. One of the few films where my tears are actually tears of joy.

Speed
I wrote, “Wild, fast, and incredible to look at, Speed is the ultimate summer flick, the very best in the entire decade.” Action films don’t get better than this. Visceral, thrilling, violent, funny. Amid all of the chaos, Keanu Reeves and Sandra Bullock emerged from the wreckage to became bona-fide movie stars.

Dumb & Dumber
I wrote, “In the funniest film of the year, Jim Carrey and Jeff Daniels made the most unlikely comic duo and succeeded with flying colors. There’s nothing quite better than a twisted comedy that still holds up after several years and repeated viewings.” Of course, comedy is subjective, but for my money, there are very few films funnier than this one. My appreciation for Jeff Daniels grew exponentially while my love for Jim Carrey swelled even more.

17 Comments

Filed under Blogathons and Memes

The Greats: Harold & Kumar Go To White Castle

Rich over at Wide Screen World has come up with a clever meme called My Hometown Blogathon. The task: write about a film that takes place in your hometown or state. I suppose I could have done an early Kevin Smith film. I grew up about 10 minutes away from the central Jersey towns that were featured in Clerks, Mallrats and Chasing Amy. But I decided to go a different route and revisit a film that is much more personal to me, a film that touches me on a level far deeper than any Kevin Smith movie. Yes, I’m talking about Harold & Kumar Go to White Castle (2004).
Full disclosure: I never smoked pot, and I never liked White Castle. I never travelled across the state of New Jersey to satisfy a severe case of the munchies. However, there are a lot of reasons why this film is so special to me. So pull down those trousers, grab the nose-hair scissors and let’s go trim our pubes.
Dude, am I really high, or is this actually working?!

I was born and raised in a town called Freehold, located squarely in the middle of New Jersey. I was a drama geek in high school, acting in as many plays as I was allowed to. One of my favorite productions was Mary Chase’s Harvey, the story of a man who befriended an invisible rabbit. Jimmy Stewart played Elwood P. Dowd in the film version and guess who played him on the stage at Freehold Township High School? No, not me. I was Security Guard #2, thank you very much. Dowd was played by a young talented fella by the name of Kalpen Modi.

You might know him as Kal Penn.
Or Kumar.
Kal has always been a gifted performer. Every day in practice, he would insist on making us laugh. If there was any one person in that high school who would make it big, it was clearly him.
Side note: Kumar may be his most popular role, but I thought Kal was terrific in The Namesake. Seek it out if you haven’t. After a hiatus from acting to work for President Obama, Kal will be heading back to TV this fall for a major role on How I Met Your Mother, reuniting him with the legen-wait for it!-dary Neil Patrick Harris.

Back to Kumar. This is the movie that put him on top and, if you think about it, it should never have worked. On paper, it’s nothing more than a stoner comedy filled with dick jokes, racial puns and a coked-up former child actor “playing himself.” How on earth did this movie ever succeed?

Did Doogie Howser just steal my fucking car?

The key ingredients are the two leads – Penn and John Cho. The chemistry between these guys is palpable and genuine. Kumar and Harold are hardly alike, but they share a love for weed, White Castle burgers and boobies. Sometimes that’s just enough to bring two dudes together and bond them for life. The fact that these two are minorities also strengthens their connection. The film plays with their ethnicities to hilarious effect, making it stand out from the stoner comedies that preceded it (i.e., Dude, Where’s My Car, which is clearly an inspiration). The white people in this movie are either racist or insane, while the “foreigners” are portrayed as calm and logical. Subversive stereotyping. That’s the hook of Harold & Kumar Go to White Castle. That’s what gives this film its “edge.”

Yeah… Just because you are hung like a moose doesn’t mean you gotta do porn.

Also key to the film’s success: New Jersey. The garden state plays a major part in their journey. Our dope heads start off in Hoboken where they live, and after a disastrous detour from Newark where they witness a beating, they finally end up in New Brunswick. Of course when they arrive, they discover that the White Castle they thought was there has been taken over by the Burger Shack (today’s special sauce: animal semen!). The closest 24-hour White Castle is now all the way down in Cherry Hill.
(That’s a lie, by the way. There is no White Castle in Cherry Hill. In fact, the closest White Castle is in Jersey City, a mere 15 minutes from Hoboken. But that wouldn’t have made an exciting movie, right?)
So they leave New Brunswick and stop at Princeton where they discover: a big bag of weed, English girls with severe cases of the taco shits, and a group of Asians who worship Harold and the ground he walks on. It’s a most fateful of pit stops, I must say.
Harold: …The universe tends to unfold as it should.
Kumar: What is that? Some fortune cookie?
 

As they tear out of that college town, they get lost and find themselves in Freehold. My hometown! In fact, the hospital they end up in is called Freehold General Hospital, which is a fictional representation Freehold Area Hospital (now called CentraState) where I was born. I like that Kumar’s father and brother worked at this hospital. This informs us that Kumar’s family resides in the Freehold area, just like Mr. Penn himself back in the day.

After the hospital vignette (where Ryan Reynolds hilariously appears as a nurse who has the hots for Kumar), they are instructed to “get on 33 west, and head south on the Turnpike,” and that’s exactly right. The writers’ attention to geographical detail was satisfying and crucial to my enjoyment of the film.

Though the film gets those details right for the most part, some instances don’t make much sense. Seeing Maria (who lives in Hoboken) at a movie theater in Princeton is a bit of stretch, but I’ll allow it. What I can’t accept, however, is the guys who were beaten in Newark ended up in the Freehold hospital! Now how is that possible? Newark is a good 45 minutes away, so it makes no sense for them to seek care in Freehold (unless, of course, they too got lost on the way to Cherry Hill). And don’t get me started on the whole idea of running into the Extreme Sports Punks in every other town in the state. Contrary to the popular belief of the film’s writers, there are more than three highways in New Jersey!

But you know what? Harold & Kumar Go To White Castle can have all of the plot holes in the world, and I will still love it. I wanna make sweet love to it like Kumar does with a big bag of weed, and leave love stains alongside NPH in the back of the Camry. I wanna ride that cougar across town in between Roldy and Chocolate Lips. I wanna suck on that shofar with Goldstein and Rosenberg, and join them as they watch Katie Holmes take off her shirt in The Gift. I wanna to be the first to do a reach-around with Freakshow, his hot wife, and the boys. And even though I detest White Castle, I wanna sit with our heroes and watch them devour 30 sliders, 10 orders of fries and 5 large diet cokes.

I’ll do it, man. I’ll ride with Harold and Kumar in their quest for the best munchies in the glorious state of New Jersey any day of the week.

Dude, on a scale from 1 to 10, 1 being not so extreme and 10 being extremely extreme, I give this a 9.5!

2 Comments

Filed under Blogathons and Memes, The Great Movies

100 Reasons Why We Love the Movies

Apparently, there’s a trend going on in the movie blogosphere where some film buffs are creating lists of reasons why they love movies. Some are even going all out and listing why they love horror, or comedy, or foreign films! We’re not that motivated. But we want to play, too!
So below, you will see a list compiled by Pete and myself. No further explanation necessary.
And … you’re welcome.

1. “Roads? Where we are going, we don’t need roads.”

2. Aaron Sorkin
3. A.B.C. Always Be Closing

4. “Looks like I picked the wrong week to quit sniffing glue.”

5. double features on a rainy day
6. the frogs in Magnolia
7. Clooney and Lopez burn celluloid for Soderbergh

8. Pixar

9. “It tied the room together, man.”

10. Quentin Tarantino
11. coming attractions
12. “Snakes. Why did it have to be snakes?”

13. every frame lensed by Robert Richardson
14. good old fashioned matte paintings, miniatures and latex
15. John Williams’s score
16. the 20th Century Fox intro
17. Wahlberg’s prosthetic penis
18. tracking shots

19. This man:

20. Lemmon and Matthau
21. “I loved you in Wall Street!”

22. “Get away from her, you bitch!”
23. Best Editing Ever: JFK

24. “Flames, flames, on the side of my face…”

25. Oliver Stone’s output ’86-’96

26. Jake LaMotta “dancing” to the Intermezzo from Cavalleria rusticana
27. Daniel Day-Lewis tapping a blade against his glass eye: GONY
28. “crazy” Carrie White goes to prom
29. A man, a boat, a mountain – Fitzcarraldo
30. the first ten minutes – Once Upon a Time In the West

31. You want to get Capone? Here’s how you get him. He pulls a knife; you pull a gun. He sends one of your to the hospital; you send one of his to the morgue. That’s the Chicago way. That’s how you get Capone.”

32. chasing Magua up the mountainside
33. coming of age alongside a group of Almost Famous rockers
34. swish pan to a jazz trio’s shadow in The Set-Up

35. the use of available light in The Shining

36. the harmonica montage in One False Move

37. great support: Macy in Fargo and Forester in Jackie Brown

38. Giamatti & Madsen rappin’ on wine

39. a handmade chess piece tearing through Raquel Welch
40. “But, Mrs. Mulwray, I goddamn near lost my nose. And I like it. I like breathing through it.”
41. showdown at the Victory Motel: off the record, on the QT, and very hush-hush
42. Prof. Grady Tripp in his pink writing robe

43. hanging out “Under The Sea” with Ariel

44. “The Times They Are A-Changin’” in Watchmen
45. “If you build it, he will come.”
46. Holden face down in the pool
47. Chapter 5: The House Of Blue Leaves
48. the basement experiments of Herbert West
49. The Living Dead… from Night of to Zombieland and beyond
50. WWII via Spielberg and Kaminski
51. duets: the rhythms of Scorsese/Schoonmaker, Tarantino/Menke, and P.T.A./Tichenor
52. Sean Astin proclaiming “our time” at the bottom of a wishing well
53. “We’ll get ‘em liquored up and take ‘em to the peach tree dance!”
54. Perfume: The Story of a Murderer

55. the films of Patrice Leconte

56. Film Noir
57. 70mm
58. “After all, crime is only a left-handed form of human endeavor.”
59. Jake Sully becoming Toruk Makto
60. “To the North – where we do what we bloody want!”
61. “I love the smell of nepalm in the morning!”
62. part I and part II; not so much part III
63. Arnold, back for Judgment Day
64. “O Captain, my Captain.”
65. the last 1/2 hour of The Road Warrior

66. Jack Rabbit Slims & Big Kahuna Burger

67. Chris McCandless’ journey / Ed Vedder’s soundtrack

68. Classics: Rosebud, The Yellow Brick Road, The Burning of Atlanta and Kong atop the Empire State Bldg.

69. Wes Anderson + anamorphic lenses

70. the Millenium Falcon
71. the late, great John Candy
72. bullet holes the size of matzo balls
73. “Major Asshole reporting for duty, sir!”
74. visiting the Past Lives Pavillion
75. Steve Martin gives his daughter away
76. Jennifer Tilly + Gina Gershon = lesbians and straight men rejoice

77. “The greatest trick the devil ever pulled was proving the world he didn’t exist.”

78. Oompa Loompas
79. “Fuck you, fuckball”
80. Camp Tomakwa!
81. Kathy Ireland plays football
82. Douglas + Turner + DeVito x 3
83. “Never let go, Jack!”
84. Heath and Jake make love in a tent
85. This man:
86. Dennis Hopper loses his head
87. “Red light! Green light!”
88. Mary Steenburgen gives Steve Martin a blow job
89. the late, great JT Walsh
90. Frank Darabont adapts Stephen King
91. “You’ll shoot your eye out!”

92. Best. Presidents. Ever.

93. Tobey Maguire and Joan Allen go from black and white to color
94. Tobey Maguire and Joan Allen come of age in 70s suburbia
95. “There’s no crying in baseball!”

96. Quint, Brody, and Hooper – gone fishin’
97. Rodents of Unusual Size
98. Jack Black as Dewey Finn
99. Martin Sheen gets thrown off a building
100. “Good morning! And if I don’t see you, good afternoon, good evening and good night!”

2 Comments

Filed under Blogathons and Memes, Random Musings